These speakers are usually never harsh to listen to and have never arrive across as fatiguing. They possess a very refined smooth audio that is somewhat put down back again. Have been recently making use of these simply over a season right now and possess had a really good possibility to do some good solid hearing. Just gripe is certainly that there's no method to conceal the cabling, since it's i9000 connected halfway up the back of the speaker. The subs put on't result in impact trauma the way, state, a VeIodyne HGS 15' would, but they're plenty adequate for films and songs. I like the high end - quite gentle - not really quite mainly because smooth as a Sónus Faber, but not really at all precious metal like some othérs.
The OM-6'beds are great - they sound excellent with CD songs, but they actually glow in 5.1-channel surround - they create the sound come from the whole front side of the space, rather of two 'factors' of audio. I had a set of AR'beds, and a set of Sonus Fabérs. I possess an oddly-shaped area which is usually not type to placement-sénsitive speakers. Just gripe will be that there's no way to conceal the cabling, since it't connected halfway up the back again of the loudspeaker. The subs don't cause impact trauma the way, say, a VeIodyne HGS 15' would, but they're a lot sufficient for movies and songs. I like the high finish - very mild - not really quite mainly because silky as a Sónus Faber, but not really at all metallic like some othérs. The OM-6's are great - they noise great with CD music, but they actually shine in 5.1-route surround - they create the audio come from the whole top of the space, instead of two 'points' of audio. I acquired a set of AR'beds, and a set of Sonus Fabérs. I have got an oddly-shaped area which is certainly not type to placement-sénsitive speakers. A set of vioIins with a fIute - all in ledger lines considerably above the trebIe clef - ar clear as crystal. The subwoofer delivers the roar óf window-rattling reduced reed with try to sell, fundamental, timbre, and the quality labial transients. The sound is tight, the crossovers are usually. Power: I create music for a massive dynamic range (metal ensembles, guitar strings, organ, choir) and this collection can be like being in the space with any mixture I create for - all the method down to a 32fcapital t organ reed. A set of vioIins with a fIute - all in journal lines considerably above the trebIe clef - ar apparent as crystal. There are crossovers? The subwoofer delivers the roar óf window-rattling reduced reed with frequency, essential, timbre, and the characteristic labial transients. Strength: I compose songs for a large dynamic variety (brass ensembles, strings, organ, choir) and this collection is like getting in the space with any mixture I create for - all the method down to a 32fcapital t organ reed.
0 kommentar(er)
